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Music notation past clefs and accidentals: ornaments, repeat structure and navigation, tablature, percussion, chord notation and historic notation. Music has no regulator, and the group is built around that fact — SMuFL fixes which glyph a symbol is and says nothing about when to use it, the engraving literature prescribes usage and binds nobody, and where a convention is genuinely unsettled (swing ratios, chord symbol vocabulary, glissando against portamento) the records say so rather than choosing a side.
A thick horizontal bar with a number above it.
A bracket and number squeezing extra notes into a beat.
A vertical wedge asking for a strongly marked note.
A horizontal S on its side, circling the written note.
A small note taking time from the note it leans on.
A small note with a stroke through its stem, crushed against the beat.
A vertical wavy line before a chord, spreading its notes.
Slashes across a stem asking for rapid repetition.
A dashed bracket with 8 or 15, shifting the written pitch.
An instruction to return to the sign.
An instruction to return to the beginning.
A numbered bracket giving different endings to a repeat.
Two slanting strokes calling for a break in the sound.
A boxed letter or number for finding a place in the music.
Numbers on six lines giving fret positions rather than pitches.
Crosses, diamonds and circles standing for different drums.
A small circle or diamond head calling for a harmonic.
A bracket and a V telling a string player which way to bow.
Letters and figures naming a harmony without writing it out.
Numbers under a bass line specifying the harmony above it.
Early note shapes showing melodic direction rather than exact pitch.
Renaissance note shapes whose values depend on context.
A notated equivalence turning even eighths into a long-short pair.
An instruction splitting one section into parts.
An instruction to pluck rather than bow a string.
An instruction to fit or remove a mute.
Small notes showing another player's part for orientation.
A small extra staff offering an alternative passage.
A word marking where the piece ends after a repeat.
Two vertical lines marking a structural division.
A slash with two dots meaning repeat the previous bar.
Numbers naming chords by scale degree rather than by letter.
A small 8 under a clef, shifting it by an octave.
Two thick vertical bars marking a staff of unpitched instruments.
A dot beneath a line, asking for separated but sustained notes.
A wavy line saying how long a trill continues.
A line asking for a continuous slide rather than stepped notes.
A dynamic mark at the end of a hairpin fixing its destination.